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Well Documented – Eventually

October 26, 2018 Earnest Painter

Facebook continues to be a brain sucker. I try to sit in a coffee shop and I literally cannot remember what I was going to write here, even though it was so important to me this morning that I brought my journal and computer to work and then stopped at a coffee shop afterward with every intention of writing it. Now, media in all its glorious forms have robbed me of the memory of what was, until very recently, an urgent and pressing thought to capture.

What have I been doing with myself? I have acquired several documents for my genealogical research. Some I downloaded from county websites, others I had to purchase. Siblings’ marriage licenses I downloaded. My father’s land purchase I paid a nominal fee for and downloaded. My mother’s marriage license to her first husband I purchased from Gonzales County – and I received a certified copy. (This is so exciting!) I’ve begun to log these items. At work I abstract documents like these, and I feel an irresistible urge to do it at home as well. So, I’ve used genealogy as a pretext to begin collecting documents, so that I, too, can have fun with them.

I went through a similar phase at a very young age. I worked at HEB and I desperately wanted to work in bookkeeping. And, I don’t use the word “Desperately” lightly here. So many things at that time of my life were so very important. I was so very in love with Michael. (Being gay in the 80’s was an exercise in self-torture.) And, I wanted so very badly to work in bookkeeping and make all of those numbers line up and balance. I even dreamed, while sleeping, about using an adding machine. There is little in this world quite as satisfying as an 11 X 17 sheet of tiny numbers that balances to zero. I felt so good. Accomplished.

Accounting never called to me that way; very little did. My entire existence was a large vacuum of need for approval. I wanted so badly for my bosses to be proud o me. I longed for it with tears in my eyes. I don’t know why I never sought this approval at college. I did attend for a while, but I didn’t finish. I didn’t have the same drive, sadly. A logical person would have put their energy into something that would offer better returns later in life, though I do have to admit that the skills I developed in the bookkeeping office at HEB all led, in one way or another, to almost every job I’ve had since.

I’m reading a book called Word by Word by Kory Stamper. She was an editor at Merriam Webster Dictionary and I first fell in love with her when she made her infamous “Plural of Octopus” video for their Ask the Editor series. Reading her book reminded me of this passion I’ve been talking about, as she described discovering Medieval Icelandic family sagas and Medieval Studies in general. And as she described her love for the English Language. She writes about seeing an Old English word and noticing that it had a similarity to modern English, but that others did not, about chasing down these words across languages and continents – learning from whence they came how they developed to the spelling and pronunciation used currently. She writes about the restless need that drove her to learn these things. The way she describes her studies, her interview to work at Merriam Webster – I can so relate. The difference being that she has a successful career to show for it.

I look back at that time of my life – late teens and 20’s. My quest to learn Spanish was no less intense than the bookkeeping deal. I must have irritated friends to death by demanding that they tell me what was being said in every Spanish song I heard. Songs are a good way to learn Spanish. Repetition, baby.

Come to think of it, I got on a lot of people’s nerves. For a lot of things. Being passionate leaves you vulnerable, especially if you don’t develop a level of narcissism to allow you to block out others’ feelings, a character trait that I never managed to develop. A passionate person is considered a genius or an idiot, depending on the viewer.

Nowadays I pursue interests, but I don’t have that passion as much, which is almost just as well. It’s exhausting. Until, that is, something like historic documents comes along and I dream of a climate/humidity-controlled room in which to collect documents and ephemera – and to catalog them. Marriage licenses help establish parentage (typically). Birth and Death Certificates offer information about people, assuming that the information could be had at the time of the event. Property sale documents help establish where people were and give a good idea how serious they were about being in a certain area. There was a migration from Europe through the Carolinas and Alabama that left my family here in Texas as the wave carried people all the way west to California. I’m finding paperwork that can tie my family to this migration, and I can see how we moved from North Carolina to Alabama to Northern Texas. Some other things I’m finding – particularly about a specific relative from Mexico – are fascinating, but I need more documentation. The name is the same as my mother’s grandfather, but I need something that ties the Braulio Hernandez from the Chihuahua area during the Mexican Revolution in the early 20th Century (Pancho Villa apparently loathed my great-grandfather) to the man who fathered my grandmother. Some of the stories don’t seem to line up perfectly and I really need proof that this historic figure is the same man as the one in my family tree.

I also love pamphlets from art fairs, business cards, magazines, personal letters, post cards… the only requirement is that it have a traceable connection to me. I have a journal where I keep business cards of my friends, and I write a little bit about how I know them and why I feel they are important enough for me to keep their cards. Some of the ephemera can serve to remind me of a life well-lived. And, as I said, genealogy offers an excellent reason to pursue this fascinating, albeit pointless hobby.

I need to learn to direct my heart to logical, useful things.

In Preservation, Genealogy Tags Earnie Painter, Earnest Painter, Documents, Certified, Genealogy, Family
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A Place to Sit

October 20, 2018 Earnest Painter
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I took this picture about two years ago. I was sitting, as I am now, on the back steps. There are just four cement steps leading to the back door - not a full-on porch. But, it was a place to sit while I rested after returning from a long trip, and I could look at the back yard.

At one point I decided to get an outdoor table and chairs. I love looking at my back yard. It's green, it has trees, there's a field behind it. Plants here and there. Cats. I thought it was a shame not to take more time sitting and enjoying it, appreciating it.

I had a small ice cream parlor table when I moved in. It’s been sitting on the patio, but it's very hot there. The afternoon and evening sun bakes that space and anybody who is sitting in it. We have another patio table on the side of the house. That one is bigger, and with four comfortable chairs. There's a cover over that area, so the sun doesn't beat down on you. From disuse, this table has become full of things, as unused tables are wont to do.

And here I sit, on the cement steps leading to the back door. It feels like sitting here is what a small child would do; a real adult has patio furniture to sit on. But, this is my favorite view of the yard and my favorite place to be. It feels natural to come outside and sit here. I would have to make an effort to remember to go sit in the grown-up furniture. I can think better here than I can in the patio furniture, because I feel more at home here. I can drink coffee on these steps, the cats like to come up and sit with me. I'm happier here, so I’ve just decided to go with it.

Tags Back Yard, Cats, Relax, Coffee
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Art Festival and Rain near Piney Woods in Texas

October 15, 2018 Earnest Painter

Edom Texas is a lovely village in East Texas near Tyler. The sign on the road indicates that it has a population of 375. There is a gas station and a post office, and a few houses scattered here and there.

Driving there is breathtaking, and a little spooky if you drive at night, because the tall, tall trees on either side of the road block almost everything. I’m used to seeing fields and cityscapes and miles and miles of Texas when I drive. In East Texas, the trees tend to limit this sort of landscape. You get to see a tunnel in front and behind you with sky overhead. At night, it’s a very dark tunnel with shadowy trunks and branches, teeming with ghouls and ghosts. The locals in Edom assure me that there are more people buried in the cemetery than living in the town. Comforting, that.

Our reason for driving there this weekend was to participate in the Edom Art Festival, 2018. The one street in town that I know of has artists and galleries in almost every building. It is a perfect place to have a festival, particularly one that is put on by the artists, for the artists. Edom has hosted artists and artisans at festivals since 1972. There were a few years when it moved to a different town, and then became dormant. But, now it’s back and building strength. Listening to Barry talk with his friends all of these years, Edom seemed like an artists’ Mecca. “Did you ever do Edom?” “Do you know the painter, Martha? I used to see her at Edom, back when it was huge.” While it was gone, people talked about the grand days of art, friendships and serious art collectors driving great distances to visit them and buy their wares. Relationships were built between artists and patrons. And, between the artists themselves.

This year Barry and I drove in the night before the show began, and managed to set up the tent that evening. On Saturday when the festival began we had only to set out the jewelry and we were ready. (Being this early is not classic behavior for Barry, even showing up in the dark the night before and setting up the tent with a flashlight.) It was a beautiful morning. The weather was warm, but not hot. I had had my coffee and was pretty much walking on air in this peaceful town. Soon, people began wandering around the booths, and I could tell that it was going to be a good day and a great show.

New Barry Earrings for the Edom Art Festival, 2018

New Barry Earrings for the Edom Art Festival, 2018

This didn’t last, unfortunately. Our friend drove in from Dallas and she called to say that it was raining so hard she could barely see. She was afraid that the rain was going the same direction she was. It was a nice morning, so we told her to take care and we’d be here when she arrived. She did arrive, and we had lunch. Barry made avocado/alfalfa sprout sandwiches for us and for friends. Then, around 2 it began to sprinkle and the customers collected under the booths of the artists and artisans. The music continued and people were still milling about. Gradually, the rain began to come down harder. And harder. And harder… People left, darting through puddles trying to get to their cars. We were safe under a strong tent, but water began to collect in the grass at our feet. Because of the grass, it took a while for me to realize how deep that water was becoming. We were on a slope (as you can tell from the angle of the earrings in the picture above) so I thought that the water would flow through. Instead it just gradually became deeper and deeper. Sheets of rain blocked our view; we could no longer see the huge trees in the background. It was loud, and we could barely hear what she was saying when the coordinator came by in a golf cart screaming, “Pack up!”, trying to be heard over the roar of rain pounding on the ground and on tents.

We gathered up the jewelry and hung out for a while under a friend’s tent, pondering what to do for the rest of the evening. Some people who were trying to leave found themselves stuck in the mud. The rest of us wondered how we would get out. (Luckily, the fire department helped out those who were stuck.) Our hotel was in Tyler, and the idea of going to the hotel, and then back to the artists’ dinner didn’t seem likely. The dinner is held on the grounds of Woodhaven Cabins. It is a beautiful place, but it’s more remote than Edom and the road is smaller, there’s a dam over a creek… it didn’t seem like an intelligent decision, frankly. We left our options open, but the drive back to Tyler was eventful enough that we decided to stay in town and make our way back to the show on Sunday, rested and refreshed.

By the time we got to Edom on Sunday, though, the decision had been made to call the show off for good and let artists pack up and get their vehicles out. The radar indicated that another, larger, storm was heading toward us that afternoon and they didn’t want to take a chance that the artists would be stuck there overnight or for a few days. We all agreed that this was probably the best decision to make considering the circumstances.

It was a bit of a shock to everyone. We walked around and people were slowly, methodically breaking down tents, packing ceramic art and jewelry. Our friends were legitimately sad. We didn’t get the Sunday morning camaraderie. So much visiting and looking at new products didn’t get to happen. The weather looked clear and we all felt the loss, thinking about how busy and happy customers and visitors had been just 24 hours previous. Barry, in particular, felt he missed out. Sunday mornings is when he visits friends and people he’s known for decades. There is a close relationship built between people who, for years and decades, worked that circuit of art festivals across the US. They would run into each other at different venues in almost every state in the country. They’d discuss the art scene, other artists, their lives and the quality of the different shows. Show after show, month after month, year after year, watching children grow up and people buy homes, have grandkids, get sick, get well, take care of each other and send love to each other through this vine of interconnected artists. Over the last 10 years this art scene has changed so completely that they don’t even recognize it any more. Smallish festivals like the one in Edom are some of the few times they have the opportunity to get together like they always did. They will grumble that they are too busy during the show to have decent conversations, but truth be told, it’s the kind of conversations and relationships that they have known all their lives. It’s how they know each other. It’s what they lean on when they do come together like this.

Sadly, this year I didn’t get the opportunity to walk around and take pictures of people’s artwork. I did walk around, but I thought there was plenty of time for pictures. Barry and I packed up, visited with artist friends and made a date with a group to see a movie together in November. We met up with some other friends in Tyler for lunch. Then, we got on the road for the long drive home. We took our time, stopping for lottery tickets and visiting the Collin Street Bakery in Corsicana. It was still light outside when we arrived at 621. The cats were happy to see us. This is the life of a traveling artist, a life that is slowly fading away.

But, we’ll always have Edom.

In Art Tags Earnie Painter, Earnest Painter, Edom, Ceramic Art, Jewelry, Jewelry Design, Earrings, Art Festivals, Piney Woods, East Texas, Barry Perez, It's a Barry
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Passing Time

October 11, 2018 Earnest Painter

While at a street festival in Waco Texas I got to explore the booth next door to ours. I asked permission to take pictures… well after I had already taken most of these. I have loved Barbara’s ceramic art since I first met her years ago. I love the patterns and textures she incorporates. I had the chance to see her studio and the various things she uses to the patterns. I almost moved in. Anyway, this is how I pass my time when I’m at art festivals.

View fullsize Birds
View fullsize Ceramics
View fullsize Ceramic Houses
View fullsize Ceramic Pineapple
View fullsize Ceramic Pumpkins
View fullsize Ceramic Punk Cats
View fullsize Speckled Ceramic Bowls
View fullsize Ceramic Leafy Vase
View fullsize Pendant
View fullsize Pendant
View fullsize Ceramic Bird with Attitude 1
View fullsize Ceramic Bird with Attitude 2

Making new friends

Links:

Barbara Francis Pottery

Barry Perez Jewelry

In Art Tags Ceramics, Ceramic Art, Earnie Painter, Earnest Painter, Jewelry, It's a Barry, Waco
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The Staying Power of Art

September 29, 2018 Earnest Painter

I continue to think about the Notary Public idea, though I don’t believe it will accomplish what I want. It wouldn’t be bad to be a notary, but it’s not likely my name will go down in history that way. That tangible thing I crave wouldn’t materialize.

At work, I touch the archive paper. It has a nice texture, a definite tooth in its surface. The scraps that they have after they print our amendments get distributed. We use those scraps to manually print amendments, as well as use it as scratch paper. When I touch the paper, I really want to write on it. I don’t know what I want to write, but I long to sit and put a nice pen to that paper and feel the tip stroke across the surface. I want to look at my handwriting on it. That would be tangible. That has potential to stay around. Surely something written on this paper would be worth saving.

View fullsize Sculptural Pendant
Sculptural Pendant
View fullsize Pendant with Bone and Opal
Pendant with Bone and Opal
View fullsize Pendant
Pendant
View fullsize Pin with Labradorite
Pin with Labradorite
View fullsize Tamara Inspired Bracelet
Tamara Inspired Bracelet
View fullsize Detail
Detail
View fullsize Custom Earrings
Custom Earrings
View fullsize Pendant Like to Go Places
Pendant Like to Go Places

My friends are artists. Barry makes jewelry, sculpted with gold and silver. Glo has beautiful bronzes with social and cultural importance, as well as small ceramic pigeons. In our house ceramic bowls, plates and platters fill the space to overflowing, along with coffee cups and hand-blown drinking glasses. That is a mark left on the world. Those tangible items will be around forever. People 100 years from now will look at a collection of Barry’s sculptured jewelry and wonder about the artisan that made them. Some of his pieces have an Asian feel, others look vaguely African, with horse hair incorporated. All of them have his signature style that really ties the whole collection together. His work is all over the U.S. and beyond.

View fullsize Shelf of Ceramics
Shelf of Ceramics
View fullsize Functional Ceramics
Functional Ceramics
View fullsize Jason Hooper Bowl
Jason Hooper Bowl
View fullsize Hand-blown Glasses
Hand-blown Glasses
View fullsize China Cabinet
China Cabinet
View fullsize Salt Cellar
Salt Cellar
View fullsize Richella & Barry
Richella & Barry
View fullsize Richella with Kiss
Richella with Kiss
View fullsize Richella & Barry
Richella & Barry

Our friend, Richella - may she rest in peace - still lives through her tiny raku pots, even while the last of her brood of cats grows old, sleeping on our dining room table eleven years after Richella passed away. Richella’s art has been collected all over the United States and other parts of the world. Her goal was to be in a show at the Smithsonian. After she mastered the technical aspect of pottery, she judged her craftsmanship and her designs based on whether they could be accepted at the Smithsonian. Not a bad aspiration, and she would have made it had she continued to live and produce work.

A Greek potter a few centuries before the common era (BCE or BC?) would have thought they were hot stuff because one of their decorated pots would cost a day’s wages.¹ Imagine if they had known that 2000 years later their work would be sold for over $100K and be on display as an historic artifact. That person, whoever they are, has truly left a their mark on the world, even if we don’t know their name.

Mark Cartwright, "Ancient Greek Potter," Ancient History Encyclopedia, March 16, 2018, https://www.ancient.eu/Greek_Pottery/.

In Art Tags Art, History, Earnie Painter, Earnest Painter, Richella, Barry, Ceramics, Jewelry
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